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Weather-Related Cancellations: Concerts presented by Blue Heron will go on regardless of weather, unless the governor declares a State of Emergency. In the event of cancellation, every attempt will be made to update this space, our Facebook page, and phone voicemail (which is (617) 960-7956). If time, technology, and electricity permit, an email to ticket holders (through Vendini) and to our full email list will also be sent.
Je n’ay dueil que je ne suis morte Johannes Ockeghem (c. 1420-1497)
Margot Rood, soprano
Kim Leeds, mezzo-soprano
Sumner Thompson, tenor
Paul Guttry, bass
Video by Kathy Wittman, Ball Square Films
Audio by Philip H. Davis, Cape Ann Recordings
Thank you for your generosity!
Thank you to all who so generously contributed to our 2022 Spring Appeal.
With sincere thanks to our generous Challenge Grant donor and your participation,
we have made our $30,000 goal.
We look forward to seeing you next season!
This highly important [Peterhouse recording] project, one of the most important early choral projects of our time, has unearthed a series of masterly composers hitherto virtually unknown...Such is the authority of Scott Metcalfe and his singers with this repertoire that they negotiate even the most daringly challenging and unexpected passages with utter confidence, and, as previously, with a delicious blend of expressiveness and seemingly inexorable forward momentum.
D. James Ross, Early Music Review (UK)
a revelation - fresh, dynamic and vibrant...urgent and wondrous music-making of the highest order
Damian Fowler, Gramophone (UK)
fine gradations of dynamics; pungent diction; telling contrasts of ethereal and earthly timbres; tempos that are more lusty than languid; a way of propelling a phrase toward a goal. ... The singing is both precise and fluid, immaculate and alive...
Alex Ross, The New Yorker
A listener then would have been lucky to hear these works brought off with such panache. The program is by turns pensive and lively, and the scholarship required to evoke stylistic accuracy is put totally at the service of performance.
David Allen, The New York Times
I feel privileged to be able to revel in such a subtle shaped set of performances... This is the kind of recording that makes you sit up and pay attention.. There is plenty that is memorable here, and always the anticipation of something juicy to relish just around the corner. You can't ask much more than that from a CD.
Dominy Clements, MusicWeb International
The earthy sensuousness of Blue Heron's singing coupled with the curatorial care behind its programming have clearly earned the trust of audiences
Jeremy Eichler, The Boston Globe
But Blue Heron’s devotion to this repertory — the ensemble has recorded five albums of music from the Peterhouse Partbooks — is not justified only by its rarity. This is vivid and radiant music. ...
... With two or three singers to a part and women stepping into the shoes of boy choristers, Blue Heron brings a zesty and sensual sound to these works of devotional music.
Corinna da Fonseca-Wollheim, The New York Times
Blue Heron is engaged in the exploration of Renaissance and medieval vocal music, putting the study of original sources in the service of vivid live performance. Widely regarded as the finest ensemble of its type in North America, Blue Heron presents a subscription series in Cambridge, Massachusetts, and a catalog of exceptional recordings is available on the Blue Heron label. The ensemble’s accolades include the 2018 Gramophone Classical Music Award for Early Music, making Blue Heron the first group from outside Europe to receive the award; the Noah Greenberg Award from the American Musicological Society; and the Preis der deutschen Schallplattenkritik. Touring engagements have taken the group across the United States, Canada, England, and Europe. Blue Heron is early music for the 21st century.