Our Nineteenth Subscription Season Includes Five Concert Programs in Cambridge.


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OUT NOW: Music from the Peterhouse Partbooks, Volume 5

"An outstanding example of power and precision in choral singing... a remarkable achievement" "Passionate, perfect performances of majestic, magical music"


Video: Permanent Vierge


"The singing is both precise and fluid, immaculate and alive" -- Alex Ross, The New Yorker | Aug. 24, 2015



Music from the Henrician Partbooks at Peterhouse
October 7 Cambridge (UK)
October 8 London

2017-2018 Subscription Concerts: Our 19th Season

Ma maistresse (Ockeghem@600, Concert 6)
October 14 Cambridge

Christmas in Medieval England
December 22 Cambridge
December 23 Cambridge (2:30 Matinee)
December 23 Cambridge (8 PM)

Music from the Peterhouse Partbooks
February 3 Cambridge

Missa Fors seulement (Ockeghem@600, Concert 7)
March 3 Cambridge

The Iberian Songbook: Spanish songs & Dances, 1450-1600
April 14 Cambridge


» More recordings

I feel privileged to be able to revel in such a subtle shaped set of performances... This is the kind of recording that makes you sit up and pay attention.. There is plenty that is memorable here, and always the anticipation of something juicy to relish just around the corner. You can't ask much more than that from a CD.

Dominy Clements, MusicWeb International

a revelation - fresh, dynamic and vibrant...urgent and wondrous music-making of the highest order

Damian Fowler, Gramophone (UK)

fine gradations of dynamics; pungent diction; telling contrasts of ethereal and earthly timbres; tempos that are more lusty than languid; a way of propelling a phrase toward a goal. ... The singing is both precise and fluid, immaculate and alive...

Alex Ross, The New Yorker

A listener then would have been lucky to hear these works brought off with such panache. The program is by turns pensive and lively, and the scholarship required to evoke stylistic accuracy is put totally at the service of performance.

David Allen, The New York Times

The earthy sensuousness of Blue Heron's singing coupled with the curatorial care behind its programming have clearly earned the trust of audiences

Jeremy Eichler, The Boston Globe