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…Guillaume de Machaut, Francesco Landini, and Jacob Senleches. More Info > Buy Now (Amazon) > Buy Now (Bandcamp) > Johannes Ockeghem: Complete Songs Vol. 1 The first complete recording of Ockeghem’s songs since the early 1980s will be released in two volumes. This first disc also includes works of Barbingant and an anonymous song from the recently rediscovered Leuven Chansonnier. Volume 2 is scheduled for release in 2022. More info > Buy Now (Amaz…

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…nd presented online a week after the live performances. You may purchase a online-only ticket, or your in-person ticket will also include virtual access. Concerts in the 2021-22 season will be presented without an intermission and last approximately one hour. The musicians will be unmasked during the performance; masks are required for all audience, staff, and volunteers. All performers, staff, and volunteers are fully vaccinated. Je n’ay dueil qu…

Concert history Page

…ng Power: Ibo michi ad montem Mason: Quales sumus O miseri Music for the Holy Roman Emperor Maximilian I Wednesday, June 15, 2005 at 11 pm St. Cecilia Parish, Boston Boston Early Music Festival Josquin: Inviolata integra et casta Senfl: Beati omnes Anonymous (La Rue?): Je ne scay plus, Cueurs desolez / Dies illa La Rue: Mijn hert altijt heeft verlanghen Isaac: O Maria mater Christi, Virgo prudentissima Program book BEMF 2005 Les Chansons du Printe…

Paul Max Tipton Page

…died with George Shirley and Luretta Bybee. In 2012 Mr. Tipton was made a Lorraine Hunt-Lieberson Fellow at Emmanuel Music. www.paulmaxtipton.com…

Hugh Aston: Three Marian Antiphons Page

…ton, Robert Jones, and John Mason. Although their music is gorgeous and of superlative quality, Aston, Jones, and Mason are virtually unknown to performers and scholars today, for the primary extant source of the music—in the case of Robert Jones’s, the sole extant source—is now incomplete through the loss of one partbook and a portion of another, out of an original set of five. The set, known as the Peterhouse partbooks for its present location i…

Christmas in Medieval England Page

…vely, and the scholarship required to evoke stylistic accuracy is put totally at the service of performance. There’s a deeply affecting edge to the singing, whether in an atmospheric account of the still-familiar ‘Veni, Veni Emanuel,’ or the glorious, elevated Sanctus from the anonymous ‘Missa Veterem Hominem.’” David Allen, The New York Times | Dec. 22, 2015 Christmas in Medieval England allows listeners to share the beauty, excitement, intensity…

Music from the Peterhouse Partbooks Page

…rather unusual type of cantus firmus called a faburden, which had originally been the lowest voice of an improvised harmonisation of a plainchant. Very little is known about Jones’s career except that he was a singer in Henry VIII’s household chapel in 1520 and still a member of it in about 1535. Whether he was related to Edward Johns or Jones, a slightly earlier member of the royal household chapel, or to the later lutenist and composer Robert J…

CD reviews Page

…schen Schallplattenkritik | January 2020 With this recording, part of an ambitiously planned Ockeghem project, the Boston-based vocal ensemble Blue Heron shines a new light on one of the most influential composers of the fifteenth century. In contrast to Ockeghem’s sacred music, his secular songs are restricted to three voices, with colors occasionally enriched by the subtle use of harp or fiddle. Calmly yet sensuously performed, at once flexibly

PR 10-04-2021 Page

…3 for adults, $30 for seniors, $10 for students or low-income. Tickets for online-only concerts are $39 for adults, $30 for seniors, $10 for students or low-income. www.blueheron.org/concerts ABOUT BLUE HERON BLUE HERON has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for its “expressive intensity.” The ensemble ranges over a wide repertoire from plainchant to…

Blue Heron Touring Programs Page

…to learning as much as possible about how the music was performed originally and applying that knowledge in the service of vivid live performance for living, breathing human beings in the present day. It is always striving for emotional engagement with audiences above all. In 2018, Blue Heron and Scott Metcalfe received the prestigious Gramophone Classical Music Award for Early Music, which made it the first non-European ensemble to win in that c…

Guillaume Du Fay: Motets, hymns, chansons, Sanctus Papale Page

…grow apace: the number of groups regularly performing his music and their quality are truly astonishing. One of the most impressive of these discs to have come my way lately is a collection by the American ensemble Blue Heron, under Scott Metcalfe, Guillaume Du Fay: Motets, Hymns and Chansons (BHCD 1001, rec 2006, 74′). A 14-member group, with three instrumentalists to help out, Blue Heron produces a wonderfully clear sound that is nevertheless n…

Performance practice Page

…her. It’s only a problem if you value “blend” above all—but “blend” is simply a quality, like volume, not an absolute good. Balance Same goes for balance. The sound of a polyphonic ensemble should be complex and multilayered. No one voice should predominate, necessarily, at any time. Individual phrasing The priority on heterogeneity and complexity extends to how musical lines are shaped. In polyphonic music, one should allow each line to follow it…