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The Iberian Songbook: Spanish Songs & Dances, 1450-1600 Page

…re-Francisque Caroubel (1556-1611 or 1615) Pavane de Spaigne (dance) Juan del Encina (1468-1529 or 1530) Pues no te duele mi muerte Encina Más vale trocar plaser por dolores anonymous Rodrigo Martines II Juan Vásquez (c.1500-c.1560) Ojos morenos ¿quándo nos veremos? Nicolas Gombert (c. 1495-c. 1560), arr. Enríquez de Valderrábano (c. 1500-after 1557) Assiste parata (vihuelas) Juan de Cabezón (d. 1566) Quien llamó al partir partir Vásquez Quien amo…

Iberia & America: Music of 16th-century Spain and New Spain Page

…ge lingua gloriosi, Conditor alme siderum Gaspar Fernandes: Salté de los cielos, Vaya la princesa Juan Vásquez: De los álamos vengo madre, Por mi vida madre Ginés de Morata: Pues que no puedo olvidarte Mudarra: Fantasia que contrahaze la Harpa Milán: Fantasia, La Bella Franceschina, Gagliarda lombarda Falalalán, Dime robadora, Si la noche haze escura (Villancicos de diversos Autores, 1556) Claros y frescos ríos (Cancionero musical de Medinaceli, c…

Concert history Page

…ge lingua gloriosi, Conditor alme siderum Gaspar Fernandes: Salté de los cielos, Vaya la princesa Juan Vásquez: De los álamos vengo madre, Por mi vida madre Ginés de Morata: Pues que no puedo olvidarte Mudarra: Fantasia que contrahaze la Harpa Milán: Fantasia, La Bella Franceschina, Gagliarda lombarda Falalalán, Dime robadora, Si la noche haze escura (Villancicos de diversos Autores, 1556) Claros y frescos ríos (Cancionero musical de Medinaceli, c…

Music from the Peterhouse Partbooks Page

…ssolution of the monasteries. In 1539–40 this reached its climax with the closing-down of the greatest monastic houses in the kingdom, including all eleven of the cathedrals (Bath, Canterbury, Carlisle, Coventry, Durham, Ely, Norwich, Rochester, Winchester, Worcester and Christ Church, Dublin) which housed a community of monks rather than secular priests. Most of the ex- monastic cathedrals were refounded as secular cathedrals and provided with a…

PR 11-04-2020 Page

…cular specialties in 15th-century Franco-Flemish polyphony and early 16th-century English sacred music, and is committed to vivid live performance informed by the study of original source materials and historical performance practices. With a catalog of twelve recordings, Blue Heron is the first group outside of Europe to receive the Gramophone Classical Music Award for Early Music (2018). Blue Heron is Renaissance vocal music for the 21st century…

Sonja Tengblad Page

…que, Puccini’s Suor Angelica with the Boston Symphony Orchestra and the Lorelei Ensemble, Bach’s St. John Passion with the Handel & Haydn Society, Knussen’s Symphony No. 2 with the Boston Modern Orchestra Project, and Carnegie Hall and Lincoln Center debuts with the New York City Chamber Orchestra. A champion of modern music, Sonja curated the award-winning touring program Modern Dickinson (www.moderndickinson.com) and launched the recital project…

Alexander Nishibun Page

…nt instrument and sensitive stage presence, tenor Alexander Nishibun has been singled out as “a delight…capable of stealing the show with a gesture” (Portland Press Herald). Nishibun performs widely in the greater Boston area and collaborates with ensembles throughout the US, singing with Vox Humana, Les Canards Chantants, Cappella Clausura, the Handel & Haydn Society, Kinnara Ensemble, and the Skylark Vocal Ensemble. He has appeared with the Port…

Daniela Toőić Page

…s with the percussionist Sylvie Zakarian to form the marimba-voice duo Syldason. Ms. TošiΔ‡ has recorded for Telarc, MDG, Kalan, Boston Revels, and several independent labels. Her latest album is Door Ajar with her new world music trio Telltale Crossing….

Tom Zajac Page

…fairly comprehensive obituary and biography of Tom’s life. Many thanks to Ellen Hargis, Nancy Zajac Hamilton, Susan Kaufman, Grant Herreid and Christa Patton for helping to pull this together. Inevitably it is missing countless beautiful details and nuances–how can you summarize Tom Zajac’s life (or anyone’s)?—but hopefully it still gives a sense of the amazing scope of his work and adventures: Thomas Edward Zajac, Jr., multi-instrumentalist and…

Performance practice Page

…includes, without exception, every composer of music in this period) had been entirely random in their choice of performing pitch, we would expect instead a corresponding randomness in written ranges. That this is not the case suggests, again in broad overview, that singers in the fifteenth and sixteenth centuries fell out into voice types generally similar to those of singers today, with generally similar written ranges, and that the written rang…

Cantores y ministriles: Music in Seville in the Golden Age Page

…-1617) Maria Magdalene et altera Maria (instrumental) Guerrero Beata dei genitrix Maria VI. Guerrero, Canciones y villanescas espirituales (1589) Qué buen año Antes que comáis a Díos VII. Sebastián de Vivanco (c. 1551-1622) Magnificat sexti toni sex vocibus interpolated instrumental movements by ?Philippe Rogier (1561-96) Blue Heron Margot Rood, Martin Near, Michael Barrett, Jason McStoots, Mark Sprinkle, Paul Guttry, voices Scott Metcalfe, harp &…

NoΓ«l Bisson Page

…amerata, Woodley Consort in Washington, D.C., and Ensemble Mi contra Fa in Los Angeles. She is featured as soloist with the Woodman Consort of Viols in a recording of sacred and secular works of Gombert, directed by Peter Urquhart, recently released by Naxos. In addition to her work in early music, Noël has recorded several works by twentieth-century composers, including the boy soprano part in George Crumb’s Ancient Voices of Children on a Grammy…