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Concert history Page

…Cambridge, Congregational A program of music by Victoria and other Spanish composers to commemorate the 400th anniversary of the master’s death. details > 2010 17 | 16 | 15 | 14 | 13 | 12 | 11 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 00 | 99 Christmas at the Courts of 15th-century France, Burgundy & Cyprus Saturday, December 18, 2010 at 8 pm First Church in Cambridge, Congregational Sunday, December 19, 2010 at 4 pm Corpus Christi Church, Ne…

Home Page

…ntine of 16th-century madrigals March 18 & 19, 2022 Ockeghem@600 Concert 11: Missa sine nomine a 5 April 22 & 23, 2022 Many Voices: Obrecht, Aleotti, Daniel-Lesur, Sanlıkol & Allen Dueil angoisseux Gilles de Bins, dit Binchois (c.1400-1460) Text by Christine de Pizan (1364-c.1430) Laura Pudwell, Jason McStoots, Sumner Thompson, voices Video by Kathy Wittman | Ball Square Films Audio by Joel Gordon COVID-19 Safety Policy In light of recent developm…

Sonja Tengblad Page

…f Beyond Artists, Sonja supports Braver Angels, Eden Reforestation Project, and Singers Of This Age with every performance. www.sonjatengblad.com

Alexander Nishibun Page

…un is a staff tenor with Trinity Church, Boston, where he recently sang solo arias in Handel’s Messiah and Bach’s Magnificat. www.alexandernishibun.com….

Ian Howell Page

…ches vocal pedagogy at the New England Conservatory of Music in Boston, where he is completing a Doctor of Musical Arts degree. www.ianhowellcountertenor.com

Performance practice Page

…n present-day North America, perhaps because of the way we bring up singers: the first example that comes to mind is the Franco-Flemish contratenor altus, which seems to have been a man we would now call a tenor with a rather large range and a particularly easy high end, who was comfortable singing for extended periods above middle C, up to a’ and beyond, but could also muster up a strong low c.2 ^top Pitch & transposition The study of historical…

Rore madrigals (1542) Page

…59). Munich, Bavarian State Library, Mus. ms. B, p. 304. Used by permission: Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0). Title page, Di Cipriano Rore i madrigali a cinque voci (Venice, 1542), Wien, Österreichische Nationalbibliothek, Musiksammlung, SA.77.D.5/1-5 (used by permission). About Jessie Ann Owens Jessie Ann Owens is distinguished professor emeritus of music and former dean of Humanities, Ar…

COVID-19 Page

…. At the present moment the concerns of an arts organization are slight in comparison to our desperate need for justice, compassion, and peace. The passion and courage of so many people out in the street demonstrating for righteous change give me hope that better days will come. Read more… June 1, 2020 At the onset of concert cancellations last March related to the COVID-19 health crisis, we had sincerely hoped to reschedule our March 28 concert,…

Music from the Peterhouse Partbooks Page

…lay. I believed, however, that the potential benefits outweighed the risks: competent restoration might increase awareness of this repertory and encourage a more balanced appraisal of English church music; and it could rescue a large amount of music—some of it very good indeed—from oblivion and give pleasure to listeners and performers. Nowadays the restoration of music of all periods is much more widely practised and accepted, and there have bee…

Cabaret Page

…sing online column of Perfect Propriety, Etiquetteer, for almost 20 years (www.etiquetteer.com/home). Etiquette mistakes in history are just as much fun as knowing how to behave well, and Robert is known for hosting a good time. Both the cocktail hour and cabaret will take place on Zoom, featuring a mix of live and pre-recorded portions. Proceeds from this event will support Blue Heron’s upcoming season. All concert dates, programs and personnel a…

PR 11-04-2020 Page

…rchasers. Tickets are $35 for adults, $10 for students or low-income: https://www.blueheron.org/spotlight-sessions/sanlikol/ An email with links and instructions will be sent 48 hours in advance of each concert. ABOUT BLUE HERON BLUE HERON has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for its “expressive intensity.” The ensemble ranges over a wide repertoire…

CD reviews Page

…the Boston Camerata. Very highly recommended. Christmas in Medieval England: “Strongly Recommended” Barry Brenesal, Fanfare | January/February 2016 [T]he performances are what one has come to expect from Blue Heron: razor accurate intonation and entries, tonally balanced between voices, with much attention spent on phrase-shaping. Unlike some choral groups for whom a poised, perfect integration of all voices is the final goal, Metcalfe aims for ex…