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Concert history Page

…s> Music in Peterhouse’s Chapel during the mastership of John Cosin October 6, 2017 at 6 pm Chapel of Peterhouse Cambridge Presented by Peterhouse Cambridge details> Ma maistresse: Songs, masses & a motet for My Lady (Ockeghem@600, Concert 6) October 1, 2017 at 4 pm Corpus Christi Church, New York City Presented by Music Before 1800 details> The Lost Music of Canterbury Friday, April 28, 2017 at 8 pm First Church in Cambridge, Congregational detai…

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…ntine of 16th-century madrigals March 18 & 19, 2022 Ockeghem@600 Concert 11: Missa sine nomine a 5 April 22 & 23, 2022 Many Voices: Obrecht, Aleotti, Daniel-Lesur, SanlΔ±kol & Allen Dueil angoisseux Gilles de Bins, dit Binchois (c.1400-1460) Text by Christine de Pizan (1364-c.1430) Laura Pudwell, Jason McStoots, Sumner Thompson, voices Video by Kathy Wittman | Ball Square Films Audio by Joel Gordon COVID-19 Safety Policy In light of recent developm…

Sonja Tengblad Page

…f Beyond Artists, Sonja supports Braver Angels, Eden Reforestation Project, and Singers Of This Age with every performance.

Alexander Nishibun Page

…un is a staff tenor with Trinity Church, Boston, where he recently sang solo arias in Handel’s Messiah and Bach’s Magnificat.….

Cabaret Page

…sing online column of Perfect Propriety, Etiquetteer, for almost 20 years ( Etiquette mistakes in history are just as much fun as knowing how to behave well, and Robert is known for hosting a good time. Both the cocktail hour and cabaret will take place on Zoom, featuring a mix of live and pre-recorded portions. Proceeds from this event will support Blue Heron’s upcoming season. All concert dates, programs and personnel a…

PR 11-04-2020 Page

…rchasers. Tickets are $35 for adults, $10 for students or low-income: An email with links and instructions will be sent 48 hours in advance of each concert. ABOUT BLUE HERON BLUE HERON has been acclaimed by The Boston Globe as “one of the Boston music community’s indispensables” and hailed by Alex Ross in The New Yorker for its “expressive intensity.” The ensemble ranges over a wide repertoire…

Ken Pierce Page

…r, reconstructor, performer, and teacher. He has performed with early dance companies on both sides of the Atlantic, and his choreographies have been presented at workshops and festivals in Europe, Canada, and the United States. He directs the early dance program at the Longy School of Music of Bard College, and is on the faculty at Intergrarte (….

Concerts Page

…. Our Cambridge Subscription Season Concerts are given in the sanctuary at First Church in Cambridge, Congregational, 11 Garden Street (next to the Sheraton Commander). Spotlight Sessions In-depth explorations of topics related to our 2021-2022 programs. Presented online only, Wednesdays 7:00-8:30 PM. November 17, 2021 Anne Stone: Guillaume de Machaut’s multimedia Remede de Fortune. January 26, 2022 Sean Gallagher: French art song, c. 1380-1500. M…

COVID-19 Page

…. At the present moment the concerns of an arts organization are slight in comparison to our desperate need for justice, compassion, and peace. The passion and courage of so many people out in the street demonstrating for righteous change give me hope that better days will come. Read more… June 1, 2020 At the onset of concert cancellations last March related to the COVID-19 health crisis, we had sincerely hoped to reschedule our March 28 concert,…

Blue Heron Touring Programs Page

…rigals by Arcadelt, Willaert, Rore, Wert, Marenzio & others 9-10 performers: 6 singers, 2 instrumentalists and 1-2 actors Program information Texts and translations 2. Songs of Love & Death Cipriano de Rore launched his career with the publication of I madrigali a cinque voci (Venice, 1542). This landmark book of twenty madrigals, many of which set sonnets by Petrarch, changed the course of music history, transforming the madrigal from a light for

Concert reviews Page

…and their music unsettles ears tuned to the flowing delights of later years: The counterpoint is cloudier, the phrases often stop rather than conclude, and the harmony is sometimes frankly weird. But near the end of this precisely sung concert under Scott Metcalfe, at First Church in Cambridge, Mass., celebrating the fifth volume of the choir’s series, there was a moment of revelation in Hugh Aston’s luscious “Ave Maria, dive matris Anne filia uni…

Reginald Mobley Page

…s and genres—not just in medieval and Renaissance music, but also in jazz, gospel, musical theatre, and barbershop singing.