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Music from the Peterhouse Partbooks Page

…ositions share many characteristics—for instance a rather ornate style, a tendency to create variety and contrast through large blocks of music in different scorings and metres, a slightly ambiguous attitude to imitative writing which is sometimes decorative and sometimes structural—their composers also have unmistakably individual traits. Aston is the most showy, delighting in elaborate figuration and striking effects, tolerant of stronger than a…

Coronavirus Page

…ert cancellations last March related to the COVID-19 health crisis, we had sincerely hoped to reschedule our March 28 concert, Many Voices, to early June. Due to Massachusetts state re-opening phase restrictions, we regretfully must cancel this concert. If you purchased tickets to this concert, please consider donating the value of your ticket back to Blue Heron. The arts and culture sector has faced devastating financial loss due to this pandemic…

Press Page

…hleen C. Brittan as Executive Director Concert Reviews CD Reviews Articles Ensembles Meld To Probe Affairs Of The Heart Mike Telin, Early Music America | January 13, 2020 Blue Heron marks two decades of bringing early vocal music to life David Weininger, The Boston Globe | October 24, 2019 Logos The Blue Heron logo is available in several formats. Click Here to access all versions (JPG, PNG, EPS). Photos Please be sure to credit the photographer:…

A brief history of Blue Heron Page

…four Masses of the nineteen in the partbooks, one Magnificat of seven, and eleven antiphons out of forty-six, so we have a lot more to delve into. October 2009. Daniela Tosic, Mark Sprinkle, Stephen Soph, Jennifer Ashe, Cameron Beauchamp, Brenna Wells, Paul Guttry, Jason McStoots, Teresa Wakim, Martin Near, Allen Combs, Noël Bisson, Glenn Billingsley, Scott Metcalfe, Michael Barrett. Photo by Liz Linder.     Blue Heron’s first season also marked t…

Spotlight Sessions Page

…anlΔ±kol: Renaissance Polyphony & Turkish Makam January 20, 2021 7:00 PM Pamela Dellal: Tuning the Modes March 31, 2021 7:00 PM Jessie Ann Owens & Alessandro Quarta: Cipriano de Rore’s Madrigali of 1542 Tickets per session: Adult $35 / Student & low income $10 Spotlight Sessions will be presented according to their contents. They will either be presented live on Zoom or pre-recorded and posted on a password-protected page on our website. Learn more…

SanlΔ±kol Page

…naissance Polyphony & Turkish Makam November 18, 2020 | 7:00 PM EST This event will be held live on Zoom, then recorded and posted (password protected) for ticket purchasers. An introduction to the Turkish modes (makam), how makam compares to the modes of Western European music, and how makam may be used in polyphonic composition. Preview Video Grammy-nominated composer and New England Conservatory faculty member Mehmet Ali SanlΔ±kol hails from Cyp…

Alexander Nishibun Page

…nt instrument and sensitive stage presence, tenor Alexander Nishibun has been singled out as “a delight…capable of stealing the show with a gesture” (Portland Press Herald). Nishibun performs widely in the greater Boston area and collaborates with ensembles throughout the US, singing with Vox Humana, Les Canards Chantants, Cappella Clausura, the Handel & Haydn Society, Kinnara Ensemble, and the Skylark Vocal Ensemble. He has appeared with the Port…

Sonja Tengblad Page

…que, Puccini’s Suor Angelica with the Boston Symphony Orchestra and the Lorelei Ensemble, Bach’s St. John Passion with the Handel & Haydn Society, Knussen’s Symphony No. 2 with the Boston Modern Orchestra Project, and Carnegie Hall and Lincoln Center debuts with the New York City Chamber Orchestra. A champion of modern music, Sonja curated the award-winning touring program Modern Dickinson (www.moderndickinson.com) and launched the recital project…

Tom Zajac Page

…fairly comprehensive obituary and biography of Tom’s life. Many thanks to Ellen Hargis, Nancy Zajac Hamilton, Susan Kaufman, Grant Herreid and Christa Patton for helping to pull this together. Inevitably it is missing countless beautiful details and nuances–how can you summarize Tom Zajac’s life (or anyone’s)?—but hopefully it still gives a sense of the amazing scope of his work and adventures: Thomas Edward Zajac, Jr., multi-instrumentalist and…

Performance practice Page

…includes, without exception, every composer of music in this period) had been entirely random in their choice of performing pitch, we would expect instead a corresponding randomness in written ranges. That this is not the case suggests, again in broad overview, that singers in the fifteenth and sixteenth centuries fell out into voice types generally similar to those of singers today, with generally similar written ranges, and that the written rang…

Rore Page

…te Festival in Rome, and he has played with the Boston Early Music Festival Ensemble and directed the Consortium Carissimi of Minneapolis. He has taught workshops and masterclasses at the Eastman School of Music and at conservatories in Verona, Cologne, Bremen, Milan, and Vicenza. Since 2007 he has been a docent at the International Early Music Course in Urbino presented by the Fondazione Italiana per la Musica Antica (FIMA) and in 2018 was appoin…